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Salomone Rossi: Great Jewish Composer of the Italian Renaissance

Nov. 13 2014

A group of Israeli musicians has been performing the sacred and secular work of Salomone Rossi, who composed music both for the synagogue and to entertain the dukes of Mantua. Rossi, a product of heightened cultural interaction between Jews and Christians in Renaissance Italy, introduced elements of modern European music into the Jewish liturgy and was himself a great musical innovator. Geoffrey Clarfield explains:

Three years before [Claudio] Monteverdi, in his madrigals, Rossi pioneered the use of the basso continuo part. In 1607 his compositions featured the first trio sonatas to have ever appeared in Europe. He probably invented the form. We must remember, then, that Rossi was just one, even if he was the best, of a significant number of Italian Jews who were masters of and contributors to the classical music of the time. . . . During the last few years of Rossi’s life, the Jews of Italy and, later, almost all Jews of Western Europe were confined to ghettos. His last pieces were written in Hebrew and correspond to that time when he and his family were moved to the ghetto of Mantua. This is his famous collection called the Songs of Solomon . . . referring (in a typical Renaissance play on words) to himself, the composer, not the ancient Israelite king. They are the first musical rendering of the Hebrew Psalms known to us in the European polyphonic tradition. They were designed to be interspersed in the synagogue liturgy of his coreligionists in Mantua and Venice.

Read more at Times of Israel

More about: British Jewry, Italian Jewry, Jewish music, Renaissance, Salomone Rossi

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic