A Norwegian film festival recently rejected an Israeli movie about disabled children in Israel—on the grounds that it is pledged to boycott any Israeli film with a subject other than Israel’s supposed persecution of the Palestinians. The fact that the film received no government sponsorship, or that its director, Roy Zafrani, does not make a habit of pronouncing on political issues, was of no consequence. Jonathan Marks comments on what this reveals about the purposes of the Boycott, Divest, and Sanction (BDS) movement:
[The festival’s] actions are fully in the spirit of the BDS campaign against “normalization.” [According to the official BDS program], projects may be subject to boycott if they seek to foster cooperation and understanding between Israelis and Palestinians, unless that cooperation and understanding is founded on the premise that Israel is an apartheid state.
Now, Zafrani’s documentary isn’t about Israeli-Palestinian cooperation, but the logic of “anti-normalization” points directly to rejecting it. If failing to denounce Israel as an apartheid state makes one complicit in Israel’s effort to pass for anything other than a monster, then the claim that Zafrani is apolitical, far from being a defense, is evidence against him. An Israeli artist who devotes himself to anything other than denouncing Israel is guilty and deserves to be shunned.
More about: Anti-Semitism, BDS, Film, Israel & Zionism, Norway