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In the Face of Forged Dead Sea Scroll Fragments, the Museum of the Bible Owns Up to Its Mistakes

March 30 2020

On March 13, the Museum of the Bible announced that all sixteen of the Dead Sea Scroll fragments in its possession have been shown to be forgeries. While many experts had originally believed these fragments to be authentic, some have been airing doubts for several years. When the museum first opened in 2017, it put some of them on display alongside notes indicating their uncertain provenance. Collette Loll, whose firm conducted the two-year investigation into the artifacts, defends the museum’s handling of the issue:

Instead of quietly removing the fragments from view, the Museum of the Bible, to its credit, went public with the news. Although headlines shouted “Museum of the Bible’s Dead Sea Scrolls Are All Forgeries,” the real news was the length to which the museum went to discover the truth, and what it means for other museums and research institutions that also have questioned fragments.

The tools we have today to detect forgeries have advanced since 2002, when a new batch of arguably authentic Dead Sea Scroll fragments appeared on the market. Science is constantly evolving, making it easier for collectors and researchers to distinguish treasures from trickery. Unfortunately, interrogation of works usually occurs too late, only after their purchase. It does nothing to prove legal or ethical ownership status. The more nefarious threat to the historical record comes from the many actors who legitimize dubious acquisitions by lending their professional and scholarly authority to objects that appear on the market, often unprovenanced. This scenario has only two possible outcomes, neither of them acceptable. Either they are forgeries or, worse, authentic and unprovenanced.

The best way for collectors and institutions to guard against deception, which is costly in terms of both economics and reputation, is to insist on solid provenance documentation—that is, to know exactly where an artifact or a piece of art comes from. . . . The Museum of the Bible and its founder no doubt made mistakes in the past, many of them stemming from a lack of due diligence and provenance verification. The unfortunate result of their mistakes provides a lesson that reinforces their commitment to adhering to collections best practices.

Read more at National Review

More about: Dead Sea Scrolls, Museum of the Bible

 

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic