Development Site - Changes here will not affect the live (production) site.

The Jewish Trumpeter Who Survived the Holocaust by Playing Jazz for the Nazis

April 29 2019

Born in the Czech city of Brno in 1918, where he lived until the beginning of World War II, Eric Vogel was a jazz enthusiast and accomplished amateur trumpet player. Although official Nazi propaganda denounced jazz as a degenerate art form associated with Jews and blacks, a number of SS officers nonetheless were avid listeners. One such officer had encountered Vogel at a jazz club and, after the Nazi invasion of Czechoslovakia, took him under his protection. Amanda Petrusich describes what followed:

While Vogel was imprisoned by the Nazis—first in the so-called model camp, Theresienstadt, [designed entirely for foreign consumption], and then later at the Auschwitz death camp—he and a dozen or so others played in a jazz band called the Ghetto Swingers. There were similar groups at many camps throughout Nazi-controlled Europe: musicians who were forced to perform, on command and under inconceivable duress, for the SS. . . . .

The Ghetto Swingers were being compelled to participate in what was, by all accounts, a hideous charade, but the music that they played was real—which means that, for the players, it still offered a brief, guilty kind of solace, a bit of “joy and pleasure,” as Vogel wrote. . . . Vogel was able to recruit some of the best European players of the interwar era, including the clarinetist Fritz Weiss, and he soon found himself a little out of his league, musically. . . .

On June 23, 1944, delegates from the International Committee of the Red Cross arrived to inspect Theresienstadt in person. The Ghetto Swingers set up and played in the band shell. . . . The Red Cross accepted the display, and, three months after its representatives left, on September 28th, the Nazis began emptying the camp.

The Ghetto Swingers were sent to Auschwitz, every member aside from Vogel on the first transport train. Some of them, including Fritz Weiss, were marched from the train directly into a gas chamber. . . . Vogel was eventually reunited with a few surviving members of the band. At Auschwitz, 30 or so musicians were selected to entertain the Nazis; they were assigned to a special barracks, and dressed in “sharp-looking” band uniforms. “We had to play from early in the morning until late in the evening for the German SS, who came in flocks to our barracks,” Vogel wrote. But, after four weeks, the Nazis disassembled the band and loaded its members onto a train. . . .

Vogel survived by jumping off that train, which was bound for Dachau, in 1945, as the Nazis rushed to cover up their crimes and eliminate the remaining Jews before succumbing to the Allies.

Read more at New Yorker

More about: Auschwitz, Holocaust, Music, Nazis

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic