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How a Master of Hebrew Fiction Made Peace with His East European Hometown

March 6 2020

On the Jewish calendar, tomorrow marks the 50th anniversary of the death of the great Hebrew writer S.Y. Agnon, several of whose works are set in the Galician town he calls Shibush (in Hebrew, “mistake”): a stand-in for his hometown of Buczacz in what is now Ukraine. Jeffrey Saks considers the city’s role in Agnon’s posthumous book A City in Its Fullness—a cycle of stories set in Shibush—which, like most of Agnon’s work, was written in the Land of Israel:

Agnon’s early writings are marked by a harsh critical eye, spotlighting hypocrisy and deception, especially relating to financial matters and social injustice. Only as Agnon matures is his focus on physical poverty (which remains ever present in his writing) overtaken by a portrayal of the spiritual poverty of Buczacz as a synecdoche for Jewry in general.

Agnon departed Buczacz at age twenty, and, aside from two very brief visits, essentially never returned—yet his literary imagination was never far from his hometown, as if to say, “you can take the boy out of Buczacz, but you can’t take the Buczacz out of the boy.” Similar observations can and have been made about other great novelists; Mark Twain, James Joyce, William Faulkner, and Philip Roth all come to mind.

A City in Its Fullness is awash in social criticism, bordering on outright indictment of the communal leadership and the corrosive effects of vanity and power on Jewish life. Among the objects of particular concern are the oppression of the poor and the gap between the town’s expressed ideals as a religious community and its sometimes-shoddy application of those ideals. The book bears a dedication to a city that “was full of Torah, wisdom, love, piety, life, grace, kindness and charity”; its content often tells a different tale.

The essential difference between his early and later career is how Agnon learned to temper the youthful critique. He did this out of artistic impulse, . . . but also out of a desire not to be a shill for the old world, or attempt to deconstruct it. . . . Agnon desired simultaneously to skewer and to sacralize and, in so doing, ask what that world of the past has to say to the present and future. It is this last insight which makes Agnon and his writing worthy of our attention even now, a half-century since his passing.

Read more at Lehrhaus

More about: East European Jewry, Hebrew literature, S. Y. Agnon

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic