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Was Saul Bellow a Novelist of Ideas?

Feb. 25 2019

Reviewing the second volume of Zachary Leader’s biography of Saul Bellow, which covers the Nobel Prize-winning novelist’s life from 1965 (the year after the publication of Herzog) to his death in 2005, Abe Greenwald explores Bellow’s philosophical and ideological commitments. Greenwald praises Leader for producing a “sprawling anthology of Bellow’s ideas—politics, metaphysics, love, and more—and a treasure map to these ideas in Bellow’s life and fiction.” This is particularly important since

it is neither Bellow’s personal nor fictional explorations in the realm of the physical that are the most compelling elements of his life. Arguably, it’s his perpetual search for transcendence, for large systems or explanations that account for man’s existence. It’s what loaned his art a touch of the numinous and fueled the childlike sense of wonder he retained throughout his life. [The first volume of the biography] covered Bellow’s earlier flirtation with the radical and pseudoscientific psychology of Wilhelm Reich, and [the second] relays a particularly fascinating episode pertaining to his more earnest interest in “anthroposophy,” the mystical teachings of the Austrian philosopher Rudolf Steiner (1861–1925).

The episode is fascinating because it perfectly captures the intersection of some key Bellow traits, [among them] his desperate pursuit of the spiritual. . . .

Yet for all the value Greenwald finds in Bellow’s engagement with the philosophers, he also agrees with the critic Seymour Epstein’s biting comment on the novelist’s handling of the issue in much of his fiction (in this case the 1975 novel Humboldt’s Gift): “the novelist who has raised important questions owes us the integrity not to trivialize those questions by repetitive improvisation on a theme, no matter how adroit.” Greenwald concludes:

While Bellow possessed a preternatural gift for description—an ability “to call all things by some name,” as Bernard Malamud described it—his work was frequently stretched out of shape by circular, noncommittal musings on abstract notions. This was an indulgence he never tamed.

Read more at Commentary

More about: American Jewish literature, Arts & Culture, Literature, Saul Bellow

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic