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Jacques Lipchitz, Tuscany’s Great Jewish Sculptor

In the second and third decades of the 20th century, Jacques Lipchitz (1891-1973) was considered one of the leading practitioners of Cubist sculpture; as his style evolved later on, and until his death, he continued to produce celebrated works. Dovid Margolin writes:

The [sculptor], born Chaim Yaakov Lipchitz in the resort town of Druskininkai, today in Lithuania [and then in Russia], spent the pre-World War II years in Paris, where he was friends with Pablo Picasso, posed for Amedeo Modigliani (whom he introduced to Chaim Soutine), and met Ernest Hemingway at one of the parties he regularly attended at the home of Gertrude Stein (although back then he didn’t know enough English, or Hemingway enough French, to communicate).

He escaped from Paris just before the Germans marched in, eventually making his way to New York. Lipchitz made his first visit to Tuscany in 1962, drawn by the millennia-old marble quarries of Carrara—“Michelangelo’s territory” he called it—and the foundry of Luigi Tommasi in Pietrasanta. He and his wife spent six weeks there, with almost all of the artist’s time consumed by work, going from the place he was staying to the foundry and back. “I didn’t see anything [of] Italy,” he said.

But he was smitten, with the work [and] with the place, and told his wife, Yulla, that they had to return. Unable to find [a workspace he could rent, he purchased what he described as] “a very beautiful house.” The renaissance structure, formally known as Villa Orsucci di Bozzio, sometimes spelled Villa Bosio, stands . . . overlooking the town of Camaiore and offering stunning views of the Tuscan countryside. Lipchitz set up shop there, working on smaller pieces in his indoor studio, and larger ones in the field outside.

Late in life, Lipchitz returned to Jewish religious observance, and in accordance with his wishes, his Tuscan estate is now used as an Orthodox summer camp.

Read more at Chabad.org

More about: Arts & Culture, East European Jewry, Italian Jewry

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic