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How Do You Say “Wonder Woman” in Hebrew?

With the release of multiple movies featuring the superhero Wonder Woman, the Israeli press has changed the way it translates her name. Naomi Sokoloff comments:

Wonder Woman, on Israeli TV, was known as “Eyshet Ḥayil.” That’s a delightfully apt and inexact translation which draws on a phrase from the Bible. . . . In Proverbs 31, eyshet ḥayil is often translated as “a woman of valor.” However, the root that gives rise to the word ḥayil can refer to valor (in the sense of courage), valiance (in the sense of determination and heroism), or force, particularly military force (hence the implications of boldness, daring, audacity, and strength), as well as virtue (meaning decency, honor, goodness). . . . Since this text is traditionally sung or recited in Jewish households on Friday night (by the man of the house, to honor his wife), eyshet ḥayil inevitably carries connotations of piety and religious observance.

The discrepancy between that image and the image of a scantily clad Amazonian superhero makes for comic discordance. . . . No wonder, then, that the recent Hollywood Wonder Woman films starring the Israeli actress and model Gal Gadot are often referred to in the Israeli press as “Vunder Voman.” The transliteration from English helps the pop-culture icon make sense in a Hebrew-speaking milieu. . . .

Yet the option remains of going with what makes sense within Hebrew tradition, and simply enjoying the surplus of meaning that the phrase eyshet ḥayil generates. . . . Part of the power of modern spoken Hebrew—even in its everyday, most ordinary routines and in the setting of popular culture—is that it can spark a cluster of associations. It negotiates constantly between past and present, religious and secular spheres of meaning, Jewish culture and other influences.  Today’s Hebrew encourages us to reconsider traditional texts, and it offers . . . words and phrases in which meanings collide, compete for attention, recombine, subsume, and reinterpret one another.

Read more at Stroum Center for Jewish Studies

More about: Arts & Culture, Film, Hebrew, Israeli culture, Modern Hebrew

 

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic