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Muriel Spark’s Novel of a Roman Catholic in Jerusalem

April 18 2018

On the occasion of what would have been the Scottish novelist Muriel Spark’s 100th birthday, Sarah Rindner comments on her Jewish origins and how they find expression in her work:

Born Muriel Camberg in Edinburgh to a Jewish father and a Presbyterian mother (who also had Jewish lineage), Muriel Spark was raised a Protestant with strong ties to her Jewish extended family. After a tumultuous young adulthood—including an abusive marriage, divorce, and her virtual abandonment of her son (he was raised by his grandparents)—Spark threw herself into her writing. At the age of thirty-six, Spark converted to Roman Catholicism, a move she believed contributed to her eventual success as a novelist. Her son, Robin, who became an Orthodox Jew, would eventually tell a different story about his mother’s origins, emphasizing the Jewishness of her maternal line. But Spark resisted her son’s narrative and continued to describe herself as a “Gentile Jewess.” . . .

This tension is explored most fully in The Mandelbaum Gate, which at more than 300 pages is also Spark’s lone “long novel.” Set in Jerusalem in 1961 during the period of the Eichmann trial, Mandelbaum Gate relates the Holy Land journey of Barbara Vaughan, an English schoolteacher in her late thirties who has recently embraced Roman Catholicism. In contrast with Spark, it’s Barbara’s father who is a Gentile and her mother who is Jewish. This swap only heightens Barbara’s identity conflict because it means that both religions can claim her. . . .

While Spark is far from a political writer, the novel contains a perceptible subtext contrasting the Arab and Israeli claims on Jerusalem. The Arabs whom Barbara encounters are constantly reimagining themselves, inventing histories of orange groves they once supposedly possessed in Jaffa, and nimbly adapting political affiliations and personal narratives for the edification of their Western listeners. This disposition both intrigues Barbara and puts her off. The Jews she meets generally present themselves as they are, and it is Barbara who is left fumbling for a firmer and more rooted identity.

Read more at Jewish Review of Books

More about: Arts & Culture, Catholicism, Jerusalem, Judaism, Literature

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic