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Does the Latest Israeli Science Fiction Tell Us Anything about the Israeli Psyche?

April 3 2018

Reviewing several recent works of Israeli science fiction and fantasy—from tales of body-switching to zombies to teen fantasy romance—Michael Weingrad focuses on a biblically informed novel as one of the better specimens:

Dror Bernstein’s novel Teet (“Mud”) retells in detail the story of the prophet Jeremiah. He does so, however, in an unsettling way. The setting is contemporary in that the events take place in a world much like that of today, with smartphones and airplanes, yet different in that prophets are as common as public-relations specialists, and Israel’s neighbors are Babylonians, Assyrians, and pharaonic Egyptians. . . . [It] may be fairly asked whether this absurdist novel, despite a few fantastic elements such as a talking dog, is what we conventionally recognize as science fiction. In that the story and actors are biblical yet the technology and mentality modern, we might call Teet a science-fiction novel for Iron Age readers. . . .

What is ultimately most striking about Teet’s take on Jeremiah, and where it falls entirely on the side of the modern, is the near-total absence of any experience of the divine. Prophets in this novel are poets, inspired less by the word of God than by the possibility of a good review.

Weingrad concludes with some general comments on the genre:

As an American reader, one is tempted to mine these novels for insight into the Israeli national psyche. Common themes exist among some if not all of these books: the fluidity of identity in our social-media worlds, the nature of Israeli identity more specifically and whether it is something to be sought in the ancient past or the far future, escape from the body whether by technology or death, the power of imagination, and, of course, private detectives. Yet what we see here is mostly a varied and steady stream of speculation and play, and this is not a bad thing. Not every work of Israeli fantasy has to deal with specifically Israeli issues.

Read more at Jewish Review of Books

More about: Arts & Culture, Israeli literature, Jeremiah, Science fiction

 

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic