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Jonathan Safran Foer: Not the Great American Jewish Novelist

Sept. 6 2016

In Here I Am, his new novel, Jonathan Safran Foer chronicles the unhappy and dissolving marriage of Jacob and Julia Bloch, two highly educated, upper-middle-class American Jews. In addition to finding the novel filled with “joyless prose about joyless people,” Alexander Nazaryan deems Foer’s attempt to write a profound work of American Jewish literature simultaneously kitschy and pretentious:

Because Here I Am concerns Jews and sex, comparisons with Philip Roth are inevitable. They are also misguided, in good part because Foer is less than half of Roth’s age and couldn’t possibly have the same preoccupations. Yet he tries, as if the responsibility of being a Jewish American novelist required of him protracted shows of thematic fealty to his miglior fabbro. For Roth, Judaism was substratum, a world to which he always returned but was never afraid to leave. . . . For Foer, it is a carapace into which he retreats whenever the fundamental business of writing fiction true to life surpasses his abilities of observation. . . . If kitsch has a “fairy-tale glow,” as Theodor Adorno once said, then Here I Am is positively radiant. . . .

About halfway through the novel, Foer swaps the plight of the Blochs for that of Israel. Israeli cousins come to visit Jacob; as they arrive in Washington, an earthquake rocks the Middle East, potentially leaving Israel weakened relative to its Arab neighbors. Passages about sexting are replaced by passages about the Palestinian issue. Call me prurient, but I preferred the sexting, especially since Foer’s depiction of Israelis seem as complex as that of You Don’t Mess With the Zohan, that little-remembered comedy in which Adam Sandler plays an Israeli soldier living as a hairdresser in Manhattan. Say what you will, at least Sandler tried for laughs. I haven’t a clue what Foer was trying for.

Read more at Los Angeles Times

More about: Arts & Culture, Israel, Jewish literature, Philip Roth

 

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic