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Howard Jacobson’s Updated “Merchant of Venice” Turns the Original on Its Head

Feb. 18 2016

Howard Jacobson, the well-known author of novels about English Jews and English anti-Semitism, has retold Shakespeare’s The Merchant of Venice and set it in 21st-century Britain. In Shylock Is My Name, writes Adam Kirsch in his review, Jacobson has masterfully recast the story, using it to probe both anti-Semitism and Jewish fears:

At the same time that [the wealthy Jewish art collector Simon] Strulovich represents Shylock, however, he also meets Shylock—the real Shylock, still inexplicably alive after 400 years, whom he first encounters in a Jewish cemetery. In this way, Jacobson combines Shylock with yet another Jewish archetype—the Wandering Jew, unable to die, doomed to spend eternity roaming the earth. Soon Shylock is Strulovich’s houseguest, advising him on how to deal with his daughter, as the course of Strulovich’s life increasingly resembles that of Shylock’s own. . . .

In developing this plot, Jacobson combines silliness with satire. He allows his depiction of the story’s Gentile characters to be invaded by a very Shylockian anger—at their heedlessness, their selfishness, their affectation, their casual anti-Semitism. Portia is the idealized heroine of Merchant of Venice, but in the novel, Plurabelle is a monster of entitlement and vulgarity—deformed by plastic surgery, enjoying the bogus fame of a reality TV star. . . . In one scene, Plury, as her friends call her, and D’Anton [the equivalent of Shakespeare’s Antonio] play a game called Jewepithets, in which they come up with increasingly insulting names for Jews—“the Hebrew,” “the moneybags,” “the inexecrable dog.” It is a Jewish paranoid fantasy of how non-Jews talk behind closed doors, and Jacobson’s portrait of the whole English Gentile world is informed by this kind of consciously overblown yet inescapable paranoia.

Read more at Tablet

More about: Anti-Semitism, Arts & Culture, British Jewry, Howard Jacobson, Literature, William Shakespeare

 

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic