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Arthur Miller’s Forgotten Play about the Holocaust

Incident at Vichy, first staged in 1965, is a one-act play set in a Nazi detention center in France. Most of the action is in the form of conversations among detainees awaiting interrogation. Maxim Shrayer argues for the play’s enduring worth:

Incident at Vichy is . . . often discussed in the context of Miller’s response to the [1961] Eichmann trial and its coverage by Hannah Arendt [in Eichmann in Jerusalem: A Report on the Banality of Evil]. One third into the play, [the Austrian prince] von Berg says to [the Jewish doctor] Leduc: “Well, don’t you think Nazism . . . whatever else it may be . . . is an outburst of vulgarity? An ocean of vulgarity?”. . .

Yet Miller didn’t merely cast onto his play the shadows of Arendt’s discourse on the “banality of evil.” The dynamics of Incident at Vichy—especially of von Berg’s transition from a guilt-tormented bystander to an incidental rescuer—dramatically complicate Arendt’s thesis. While the play alleges that Nazi evil has its own banal music and its own cardboard-operatic complexity, it shows that personal sacrifice as a response to evil can never be banal. . . . If every person of conscience were to make one act of personal sacrifice, how many victims of genocide might have been saved? To have said this, loud and clear, in 1965 was no small feat for any American playwright, Jewish or not.

After years of teaching and thinking about Shoah literature, I have come to value this play above all of Arthur Miller’s, including Death of a Salesman. . . . But I wouldn’t be writing this tribute today were it not for the profound impression the play made on me when I first saw it in the spring of 1987 in Moscow, my native city. When I saw it then, I was a nineteen-year-old refusenik finally preparing to leave Russia. While I had experienced firsthand both the banality and the complexity of evil, I hadn’t heard of Arendt and was, in some sense, a perfect tabula rasa to take Miller’s play on its own terms.

Read more at Tablet

More about: Arthur Miller, Arts & Culture, Hannah Arendt, Holocaust, Holocaust fiction, Theater, Vichy France

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic