The late Saul Bellow, the 1976 Nobel laureate in literature, is the subject of a recent autobiography by Zachary Leader. In a review of the first volume (the second is still forthcoming) and of a collection of Bellow’s nonfiction, Abraham Socher writes that the novelist’s “sense of Judaism, or rather Jewishness, was visceral, not intellectual.” As an example, Socher adduces Bellow’s strong stand against the freeing of the pro-Nazi poet Ezra Pound (free registration required):
Bellow’s unapologetic moral clarity here (and not only here) derived, in part, from the same intuition as the famous opening of The Adventures of Augie March: that one can be Jewish and entirely American. His job was to make something of that. As he wrote in an introduction to an anthology of Jewish stories: “We do not make up history and culture. We simply appear, not by our own choice. We make what we can of our condition with the means available. We must accept the mixture as we find it—the impurity of it, the tragedy of it, the hope of it.” This was written in 1964, the last year Leader’s biography covers, but the sense of life and literature it expressed will carry his subject forward into the next volume. Bellow remained ineluctably Jewish and perpetually attuned to living in chaos.
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More about: American Jewish literature, Arts & Culture, Ezra Pound, Jewish literature, Saul Bellow