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“Denial”: Hollywood Defends the Truth against Postmodernism

Oct. 19 2016

When Deborah Lipstadt authored her first book on the subject of Holocaust denial, the “revisionist” historian David Irving took her to court. Because of the idiosyncrasies of Britain’s libel laws, Lipstadt and her lawyers had to prove that the Holocaust actually happened. The trial is the subject of the recent film Denial. In his review, Gavriel Rosenfeld writes:

Denial . . . portrays Irving as a self-described “outsider” who seeks to provoke an establishment whose acceptance he secretly craves. . . .

Denial thus joins the growing chorus of opposition to the epistemological skepticism that came with postmodernism. As the prominent theorist Bruno Latour recently argued, the postmodern notion that “facts are made up, that there is no such thing as natural, unmediated, unbiased access to truth” has been exploited by “dangerous extremists.” . . . As conspiracy theorists and others abuse the idea that facts are socially constructed, the time has arrived, Latour concluded, to get “closer to facts.”

This injunction is not, of course, a specifically Jewish one, but Denial shows the dangers of spurious skepticism by showing the continuing threat posed by the epitome of unreason: anti-Semitism. . . .

Beyond defending reason and truth, Denial suggests that an effective response to hatred may be found in the unapologetic embrace of one’s own identity. Lipstadt is seen in the film quietly chanting the traditional funeral prayer El maleh raḥamim together with [the historian Robert Jan] van Pelt on their visit to Auschwitz. In an even more revealing scene, she is horrified by the passive attitude of some British Jews toward anti-Semitism. When some guests at a dinner party organized to help support her defense suggest that she just settle with Irving, she rejects the request out of hand, calling it “appeasement.”

Although the world faces new dangers, Denial shows how an important victory over an age-old prejudice can inspire us to trust our convictions.

Read more at Jewish Review of Books

More about: Anti-Semitism, Arts & Culture, Film, Holocaust denial, Postmodernism

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic