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Joseph Brodsky: Poet, Dissident, Jew

June 23 2017

Published first in Russian and then in English, Brodsky among Us is a memoir about the renowned Russian poet by his publisher and friend Ellendea Proffer Teasley, who was instrumental in getting him out of the Soviet Union. Marat Grinberg, in his review, discusses Brodsky’s politics and his Jewishness:

A staunchly philosophical poet, Brodsky shunned any explicit reference to politics in his verse—which was a political gesture in itself. Proffer . . . emphasizes that his opposition to Soviet power was presented in starkly moral terms [and] implicitly links Brodsky’s Jewishness to this resistance to the “evil structure” [that was the Soviet Union]. It is a primary subject of their first encounter, which she describes thus: “Joseph is voluble and vulnerable. He brings up his Jewish accent almost immediately; when he was a child, his mother took him to speech therapy to get rid of it, he says, but he refused to go back after one lesson.”

The “Jewish accent” had to do with Brodsky’s inability to roll his “r”s, which, while by no means unique to Jews, was a mark of the Jew in the largely anti-Semitic Soviet environment. Brodsky bought into the prejudice and at the same time wore it with pride, making it his own.

Jewishness is an ongoing theme in Brodsky’s early poetry of the 1960s, in which he speaks of a Jewish cemetery on the outskirts of Leningrad and imagines his future “Jewish gravestone.” His [poem] “Isaac and Abraham” is a beautiful, tortured, and complex midrash on the binding of Isaac. Brodsky transplants the biblical patriarchs onto the Soviet landscape, making the relationship between Abraham and Isaac symbolic of the rift between Russian-Jewish fathers and sons, who are burdened by the loss of Judaism as well as historical traumas both near and distant. The poem reveals Brodsky’s familiarity with Hebrew scripture as well as the kabbalah.

In his later poetry, the explicit Jewishness all but disappears in accordance with his goal of becoming the greatest Russian poet of his era and instead becomes a powerful undercurrent.

Read more at Commentary

More about: Arts & Culture, Joseph Brodsky, Poetry, Russian Jewry, Soviet Jewry

The Summary: 10/7/20

Two extraordinary events demonstrate something important about Israel’s most fervent adversaries. One was a speech given at something called The People’s Forum (funded generously by Goldman Sachs), which stated, “When the state of Israel is finally destroyed and erased from history, that will be the single most important blow we can give to destroying capitalism and imperialism.”

The suggestion that this tiny state is the linchpin of a global, centuries-old phenomenon like capitalism goes well beyond anything resembling rational criticism. Even if Israel were guilty of genocide, apartheid, and oppression—which of course it is not—it would not follow that its destruction would help end capitalism or imperialism.

The other was an anti-Israel protest that took place in front of New York City’s Memorial Sloan Kettering Cancer Center, deemed “complicit” in Israel’s evils. At organizers’ urging, participants shouted their slogans at kids in the cancer ward, who were watching from the windows. Given Hamas’s indifference toward the lives of Gazan children, such callousness toward non-Palestinian children from Hamas’s Western allies shouldn’t be surprising. The protest—like the abovementioned speech—deliberately conveyed the message that Israel is the ultimate evil and its destruction the ultimate good, cancer patients be damned.

The fact that Israel’s adversaries are almost comically perverse does not mean that they can be dismissed. If its allies fail to understand the obsessive and irrational hatred that it faces, they cannot effectively help it defend itself.

Read more at Mosaic