In her debut novel The Patriots, Sana Krasikov tells the story of an American Jewish woman who, under the thrall of Communism and young love, follows a Russian engineer to the Soviet Union, and of her son, who is born and grows up there. Wynn Wheldon writes in his review:
The Patriots has the weight of a classic. While its scenes are almost always intimate, conducted between two or three people (though there is a very well done tawdry embassy party), they are more often than not governed by events in the world beyond them, over which they have no control.
Krasikov shows us this trampling of the private by the public in the name of Communist pieties. Of all these pieties, the requirement to betray your friend, your country, your family, in order to serve the party, is the most psychically cruel if not the most physically disturbing. . . .
The Patriots is hung, as a narrative, on a series of true-life events, namely, the actual activities of real organizations: from the U.S.-Soviet trade deals of the late 1920s, through World War II, to Golda Meir’s visit to Moscow in 1948, to the anti-Semitic purge of 1952 (the Doctors’ Plot), and onward. Krasikov’s research has an exemplary thoroughness, whether describing a Stalin rally, or a Thai sex parlor, or listing the parts of a jet fighter. . . .
This is a book that informs as it questions. It has moral purpose. It gives us essentially the entire history of the USSR. It challenges readers to wonder what decisions they would have made in similar circumstances. And it tells us of how hope can be used [as a weapon] against a population.